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Beginning Argentine Tango:
This course introduces the fundamental techniques and movement elements
characteristic of the Argentine Tango. The basics of salida, caminar, and
el ocho are presented. The traditional hold and the principles of leading
and following with the body are developed.
Intermediate Argentine Tango: Fundamentals presented in level 1 are reinforced and the back ocho, boleos and vueltas are introduced. Working on the same foot (contrapaso) and cambio are developed.
Advanced Argentine Tango:
As we continue the development of caminar and the ochos both forward and
backward, we begin working outside partner on the left. Also introduced at
this level are pasadas, sacadas and molinete. Because the content varies from
session to session, this course presents students with the opportunity for
continued study.
Composition, and the development of Traditional and individual style, partnering skills and musicality are addressed at all levels.
Level 1
This course presents a basic dance of the most common 6 count swing moves.
Also introduced is the 8 count lindy turn. The techniques of leading and
following, footwork and improvisation are addressed.
Level 2
Continuing the development of the basic dance as presented in level 1, this
level introduces a variety of new 6 and 8 count figures. Because of the
great number of moves at this level, the program is divided into three
sections designated a, b & c. The sections are not sequential, i.e., it is
not necessary to begin study at level 2 by taking 2a. Level 2b could just
as easily follow level 1.
Each section is self-contained & includes a set of figures taught in all
sections of level 2, and a set of figures presented only in the designated
section. It is suggested that the student take all three sections before
progressing to level 3.
Level 3
The emphasis in level 3 is on the creative and improvisational techniques of
the dance. The figures presented in each section of this level are used to
address advanced topics in Swing dancing, such as splicing and breaking.
The techniques of alternative rhythm and syncopation are developed.
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